Black Widow (1954) 720p YIFY Movie

Black Widow (1954)

Black Widow is a movie starring Ginger Rogers, Van Heflin, and Gene Tierney. A young writer insinuates herself into the life of a Broadway producer.

IMDB: 6.81 Likes

  • Genre: Drama | Film-Noir
  • Quality: 720p
  • Size: 1.16G
  • Resolution: / fps
  • Language: English
  • Run Time: 95
  • IMDB Rating: 6.8/10 
  • MPR: Normal
  • Peers/Seeds: 3 / 1

The Synopsis for Black Widow (1954) 720p

A married Broadway producer is taken with an innocent young woman who wants to be a writer and make it on Broadway. He decides to take her under his wing, but it's not long before the young lady is found dead in his apartment. At first thought to be a suicide, it is later discovered that she has been murdered, and suspicion immediately falls on the producer. He begins his own investigation in order to clear his name, and one of the first things he finds out is that the young woman wasn't quite as naive and innocent as she appeared to be.


The Director and Players for Black Widow (1954) 720p

[Director]Nunnally Johnson
[Role:]Ginger Rogers
[Role:]George Raft
[Role:]Van Heflin
[Role:]Gene Tierney


The Reviews for Black Widow (1954) 720p


Black WidowReviewed bySpuzzlightyearVote: 7/10

So imagine a film noir. Now, imagine that film noir as a technicolor Cinemascope production, and you have Black Widow. A certainly interesting, but just passable noir about a Broadway producer framed for a murder he didn't commit. Fleeing from the police, he picks up clues about the victim, and realizes his friends are not what they seem (of course). While this is pretty to look at, unfortunately, once you figure out what the cops are doing. the suspense disappears somewhat, and completely collapses at the end when we do find out the real murderer as it's almost presented as an anticlimax. Still worth a look though for it's amazing photography.

Please ban pan and scan!Reviewed byDavid-240Vote: 6/10

This film, viewed in its pan and scan version, is a classic example of how not showing widescreen, or in this case cinemascope, movies in the letterbox format completely distorts and seriously damages the film. There are several scenes in which characters enter a room and speak but we don't see them, or even worse when we see one character talking endlessly to thin air. Scenes in which four characters are supposed to be seen simultaneously and in which their reactions are as important as their dialogue are reduced to one or two visible characters. Please screen these movies as the film-makers intended.

Having said that this is hardly a great movie. It is a dully made and predictable whodunnit with a fabulous performance by Ginger Rogers as a bitchy Broadway star. That is she is fabulous until the last couple of scenes when she seems to forget her characterisation altogether and opts for cheap melodramatics. Sadly Raft is quite terrible and Tierney has nothing to do. But Heflin is good and Peggy Ann Garner is effective in one of her few adult roles. Pleasant enough time-filler.

Tightly constructed, beautifully filmed, straight up high society suspenseReviewed bysecondtakeVote: 7/10

Black Widow (1954)

An early full color Cinemascope drama, loaded with starts, and written by a high powered but somewhat forgotten stage and screen writer of the 40s and 50s, Nunnally Johnson. And this is one of a handful of films he directed, too. It's really quite a fully blossomed drama, and it grows with complexity as it goes. And it's packed with stars. The leading man has always impressed me even though he's not the handsome or powerful sort that usually commands the first credits, Van Heflin. he's really amazing, subtle and perfectly sophisticated and well meaning and (eventually) tortured.

His wife is played with usual cool cheerfulness by Gene Tierney, and their neighbor and friend is a haughty and ridiculous (perfectly so) Ginger Rogers. Rogers takes her role to the hilt, both in arrogance and frivolity and later in emotional breakdown.

What ensues is not just highbrow Broadway theater culture, but eventually a criminal (or psychologically suspenseful) tidal wave sweeps over the relatively lightweight beginnings, and the effect is kind of remarkable in its own way. I mean, it's so completely theatrical and melodramatic, and yet it really works as an interpersonal and heartfelt (and probing) drama, too. The writing is smart, nuanced, and it plays the line of being exactly what it is--meaning that it's about the very world that Johnson lives in.

The cop in this case is George Raft, always a little stiff and stiff again here, but he does his job. The seductress who is the center of all these talents is Peggy Ann Garner. Who is she? Well, after several years of being a successful child actress, and except for a small role in an obscure 1951 Fred Zinnemann film as an adult, Garner was a television actress (including some t.v. movies) bouncing from one series to another. Then, at the end of her career, she had small roles in three more features. And in many ways, she's the weak link here--she's supposed to be sleeping her way to success in the theater world, and yet there's something not quite right about her in this role. I suppose I underestimate middle aged rich men.

The plot this girl weaves for those around her is elaborate and devilish. And when it goes wrong for her, it really goes wrong for our main man Heflin. At the point the film is very much like Hitchcock film, with the apparently innocent man accused of a crime. Unlike Hitchcock, Johnson uses flashbacks at key points near the end., which do their job but also have a way of deflating the suspense.

See for yourself!

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