Two ways we enjoy movies are 1) to share the emotional life of characters in a great story, regardless of the performer, and 2) to watch a great performer, regardless of the story. "Die! Die My Darling" "Fanatic"] falls into the latter category; here, Tallulah Bankhead is the great performer. Bankhead was, it is popularly believed, in the depths of alcohol abuse when she made this classic melodramatic thriller. Yet, she turns-in a terr(or)ific performance. Alcohol abuse may have helped her to slur some lines in that unique drawl of hers, but the well-experienced actress that she is - underneath the numb - shines thru by having clearly planned ahead to alternate her episodes of sweetness and rage, and performs them with well-crafted notes. It's an absolute tour-de-force: That ET-like bourbon voice of hers croaking out commands to her servants; like a witch shrieking "Liar!" to Stefanie Powers (and slapping her silly!); and looking like a backsliding soul at her most pitiful digging in her closet for a secret stash. And my favorite image: force-feeding a sermon to Stefanie Powers at gunpoint (Bankhead holding the Bible *and* a gun in her hands!). The story that sets all this into motion: Bankhead receives a visit from her dead son's one-time fiance, played by Stefanie Powers. Bankhead, a religious fanatic [thus the other title to this movie], presumes her son's betrothal to Powers means that they *are* husband and wife - FOR ETERNITY! Powers plays along, at first, but reveals little truths that counter the religious Bankhead's plans for her son's eternal peace; Bankhead, then, turns determined to "save" her son's Grace by keeping Powers pure. And so it goes from that, with escalating animosity. Bankhead is great. The production design is great (sets and color), and Yootha Joyce as the housemaid Anna is also terrific. Powers, however, grossly overacts; but, to her credit, she lets Yootha Joyce really lay into her with obviously no stunt-doubles between them. That was fun. Oh, there's also a couple homage to PSYCHO: recall that scene in Psycho when Vera Miles screams and flails an arm to set swinging the overhead lamp upon entering the fruit cellar. There's an instance when Powers screams and does the same with an overhead lamp. At that moment, listen to the soundtrack: it shrieks for a measure or two like Psycho's shower scene shrieking violins. Cool. I'll let you find the second "borrowing" from Psycho; it's not as obvious. For some campy fun, definitely rent this'n. Powers is a snitty over-acter, and she'll annoy you, but you'll feel she gets what she deserves when the Ol' Lady smacks the stuffing out of her. Plus, Bankhead simply saying the line "Milk?!" will make it all worthwhile - and that's just at the beginning...!
Die! Die! My Darling! (1965) 1080p YIFY Movie
Die! Die! My Darling! (1965) 1080p
Fanatic is a movie starring Tallulah Bankhead, Stefanie Powers, and Peter Vaughan. A young woman is terrorized by her deceased fiancé's demented mother who blames her for her son's death.
IMDB: 6.42 Likes
The Synopsis for Die! Die! My Darling! (1965) 1080p
Patricia Carroll arrives in London to get married with her fiancé Alan Glentower. However, the stubborn Pat decides to pay a visit in the country to Mrs. Trefoile, the mother of her former fiancé Stephen, who died in a car accident. Once there, the religious fanatic Mrs. Trefoile insists to Pat to stay overnight to go to the mass on the next morning. After going to the church, the naive Pat tells Mrs. Trefoile that she was not going to marry Stephen, triggering her insanity. Mrs. Trefoile abducts Pat to purify her sins and make her pure for her beloved son.
The Director and Players for Die! Die! My Darling! (1965) 1080p
The Reviews for Die! Die! My Darling! (1965) 1080p
You gotta admire Tallulah!Reviewed bySardonyVote: 7/10
TALLULAH BANKHEAD, looking like a ravaged reject from a summer stock version of "The Little Foxes", delivers an appropriately over-the-top performance from this Hammer schlock that borrows from every madhouse movie ever made.
STEFANIE POWERS is the unlucky victim, a young woman who makes a courtesy call on the mother of her dead fiancé, only to discover that she's a religious zealot and a complete madwoman looking for sin in every fabric of Powers' too glamorous wardrobe and make-up. Not only is Bankhead mad, but her servants are enough to scare anyone within sight--including DONALD SUTHERLAND as a retarded man, and YOOTHA JOYCE and HARRY VAUGHAN as an unethical couple badly in need of cash.
Most unrealistic aspect of the story has strong-willed Powers submitting meekly to outrageous requests Bankhead makes upon her arrival instead of packing her things and leaving immediately. But when she fights back, she has to deal with Tallulah and her loyal servants, all of whom make for heavy combat.
Well photographed with some appropriately melodramatic musical flourishes to pump up the fright element, it nevertheless seems like a freak show by the time it reaches its harrowing conclusion. Not until the last moment, does the heroine get some much needed help from a boyfriend who returns for no apparent reason after Bankhead assures him that Powers has already left.
Summing up: Talllulah looks a fright but performs befitting the material--adding horror to the kind of role attracting overage stars in the '60s.
As others have outlined the plot I see no need to do the same. But primarily, I have to take issue with the previous posters slating Ms Powers. Stefanie turns in a top notch performance as always, treating each of Mrs Trefoile's latest maniac actions with just the right amount of exasperation and humour, in the knowledge that Pat (her character) got herself into this mess, which she did! I see no evidence at all of overacting and, even if this were the case I would have been hard pressed to spot it amidst the melodramatic performance that Ms Bankhead turned in.
I was interested to see Yootha Joyce, an actress who I obviously knew as a kid from George and Mildred, but that was it. Unfortunately, both Yootha and her character were completely underused. Such a waste.
The one thing that really bugs me though, is if Patricia was able to give Anna a run for her money in the fight scenes, why did she not just kick the gun out of Mrs Trefoile's hand? Ah, the beauty of cinema!
It's a great film with some terrific actors but Hammer must have been having an off day re the scariness. I didn't even need a cushion to hide behind. So watch it as a chance to see a terrific actress at the start of her career and another at the end.