Mystic River (2003) 1080p YIFY Movie

Mystic River (2003) 1080p

With a childhood tragedy that overshadowed their lives, three men are reunited by circumstance when one loses a daughter.

IMDB: 8.039 Likes

  • Genre: Crime | Drama
  • Quality: 1080p
  • Size: 2.06G
  • Resolution: 1920*800 / 23.976fps
  • Language: English
  • Run Time: 137
  • IMDB Rating: 8.0/10 
  • MPR: R
  • Peers/Seeds: 11 / 100

The Synopsis for Mystic River (2003) 1080p

Childhood friends Jimmy Markum, Sean Devine and Dave Boyle reunite following the death of Jimmy's oldest daughter, Katie. Sean's a police detective on the case, gathering difficult and disturbing evidence; he's also tasked with handling Jimmy's rage and need for retribution.


The Director and Players for Mystic River (2003) 1080p

[Director]Clint Eastwood
[Role:Jimmy Markum]Sean Penn
[Role:Katie Markum]Emmy Rossum
[Role:Dave Boyle]Tim Robbins
[Role:Sean Devine]Kevin Bacon


The Reviews for Mystic River (2003) 1080p


Long Live the King?Reviewed byBrandt SponsellerVote: 10/10

After three eleven year-olds from a close-knit lower middle class Boston suburb undergo a tragic experience where one is abducted and abused for four days, their lives diverge. The abducted one never overcomes the emotional trauma, another begins a life of crime, and the third becomes a cop. None ever venture very far from the neighborhood. When tragedy strikes again, their lives are gradually brought back together on a collision course that leads to some unexpected results.

Mystic River is a surprisingly dark film, with a controversial denouement. It is masterfully directed, acted, shot, edited, lit and scored. It is a mostly humorless and occasionally difficult realist drama, that will undoubtedly affect most viewers emotionally in a variety of ways--you may cry, you may become angry with at least one character and the lack of just deserts, and you may find it a bit depressing, although producer/director/composer Clint Eastwood and scripter Brian Helgeland do through in a relatively minor glimmer of hope/happiness at the very end.

Not that I tend to agree with awards organizations, but it should be no surprise that Mystic River has fine acting. A bulk of its many awards and nominations, including two Oscar victories, were for on screen performances. What is less recognized is the positive effect that the locations, cinematography, lighting and score have on the atmosphere of the film. Kokayi Ampah found the perfect, generic, metropolitan lower middle class neighborhoods, buildings and bars. It could be any slightly depressing, but maybe about to gentrify, suburb of Boston, New York City, Philadelphia, Cleveland, Chicago, Detroit, or any number of at least Northeastern and Midwestern U.S. cities. Tom Stern's cinematography is continually, subtly inventive. Just check out the shot of Sean Penn where shadows from a railing form symbolic jail bars on the wall behind him. The lighting tends to the late 1990s/early 2000s look that is more monochromatic and leaning-towards blue. There are a lot of well-placed shadows, often creating a chiaroscuro look. Eastwood's score is understated but very effective. And how can you not like a film where three sexy girls dance on top of a bar to jazz fusion?

The story is absorbing. There is an unexpected (to me, at least--I try to watch films the first time knowing as little about them as possible) mystery angle that is effectively sustained until almost the end. I haven't read Dennis Lehane's novel yet, but I just ordered it after seeing the film--the film piqued my interest enough to want to explore more. But the most interesting part of the story to me, at least, was the extremely gray depiction of Penn's character, Jimmy Markum. Markum is revealed to be largely criminal, and not quite likable in his attitude towards his daughter (he doesn't respect her individuality, even though she's actually an adult). Yet at the same time, he is compared by at least one character to a "king", and in many ways, he is treated as one in the neighborhood. This may or may not be meant more metaphorically by the character saying it, but it is possible to read much of the film as being about a traditional king trying to live in modern day metropolitan suburbia. In some historical and cultural contexts, surely Markum's behavior in the film would have a more noble sheen, including his "mistake". This is perhaps why poetic justice never arrives, and instead, the character is seen as contented, with his queen and court by his side, being regaled with a parade instead. In modern contexts, many kings' behavior would not be so noble, and instead we'd notice more the injustices done to the peasantry and sympathize with them. Markum's character cannot be depicted more literally as royalty, as if he were far removed from the socio-economic status of the film's peasantry (although we find out eventually that he has more money to spare than most folks in his neighborhood), because it would be instead read as a moral tale of economic disparity as is exists solely in modern times. Putting everyone on a level playing field, more or less, is the only way to create a parable of how kings would be perceived, solely in terms of their decisions and actions, in our era.

Of course, there is more to the film than that, and it's not the only interpretation possible (in fact, it probably seems very left field to many readers), but it's worth pointing out not only as something literally interesting to contemplate, but to show the kind of storytelling depth that is contained in Mystic River--a film you should not miss.

A Tragic Story of the Loss of the Youth in a Contemporary ClassicReviewed byClaudio CarvalhoVote: 9/10

Twenty years ago, the boys Jimmy Markun, Sean Devine and Dave Boyle are neighbors and pals, playing hockey on the street. One day, Dave is kidnapped by two men, being sexually abused, but escapes from them four days later. In the present days, each one of them followed one way in their lives: Jimmy (Sean Penn) is married with Annabeth Markum (Laura Linney), has three daughters and has a small business. Sean (Kevin Bacon) is a detective, and his pregnant wife left him six months ago. His colleague is the detective Whitey Powers (Laurence Fishburne). And Dave (Tim Robbins) is a traumatized man, married with Celeste Boyle (Marcia Gay Harden) and having a young son. When the nineteen years old daughter of Jimmy, Katie Markum (Emmy Rossum), is found dead in the neighborhood, the three friends in childhood meet each other again, in the investigation of the murder. A tragic event happens in the conclusion of this investigation. This movie is excellent. Yesterday, I saw it on DVD and I was impressed with the direction of Clint Eastwood and the performance of the cast. It is almost impossible to highlight one actor or actress, but I was stunned with the performance of Sean Penn. It is a film based on the acting, and not on special effects, shootings or race of cars. I was very impressed, since the tragic story of the loss of the youth is very real, full of human flaws, disturbances, prejudice and judgements. The destiny of this movie in the future may be to be considered a contemporary classic. My vote is nine.

Title (Brazil): `Sobre Meninos e Lobos' (`About Boys and Wolves')

Second time aroundReviewed byMattias PeterssonVote: 7/10

I must admit that when i watched this movie for the first time i didn't really think that much of it. Sure the acting was amazing, but that was expected. But then something happened. I got a chance to read the book by Dennis Lehane and suddenly all the pieces fell into place. I watched the movie again and this time it was amazing.

I don't know how i should interpret how my feelings toward this movie changed after reading the book. Is it a good adaptation if i like it more after reading the book? Should a movie stand so well on it's own merits that the book is not necessary? I don't know myself, all i know is that it all became so much clearer after reading the book.

First of all the acting was amazing even the first time around. But still, after reading the book it was as if the characters gained one more level of depth. I have always felt that Tim Robbins is the true gem in this movie. His pained portrayal of the lost soul Dave Boyle is pure magic, seldom has an Oscar been so well deserved. Sean Penn is predictably great in his portrayal of Jimmy Markum. It's a difficult character, a person you really don't know what to think about. In one respect he is a worried father, in another respect he is a cold-blooded man with few things to like about him. The rest of the cast is solid, with Kevin Bacon the brightest star among them.

When it comes to the plot itself this was where much was changed from reading the book. The trick is not to watch this as a crime-drama. Rather it's a movie about behavioral patterns, about humans. What they are capable of and what dictates their actions. There are huge amounts of sadness and melancholy to this story. Of people unable to break out of the path it seems life has chosen for them. This i think didn't really break through to me that well when i watched the movie for the first time. But the book is much more clear on this and when i watched the movie again i saw it there as well.

In the end this is a triumph of two things really. First the great acting of some of the finest actors in Hollywood today, second the sensitive and thoughtful directing of Clint Eastwood. He manages to bring out Dennis Lehanes story in a way that is so understated and minimalistic at times i didn't even catch on the first time around. But if i look closely all the elements are there and it is truly a great adaptation as well as a great movie.

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