Swing Time (1936) 720p YIFY Movie

Swing Time (1936)

Swing Time is a movie starring Fred Astaire, Ginger Rogers, and Victor Moore. A performer and gambler travels to New York City to raise the $25,000 he needs to marry his fiancée, only to become entangled with a beautiful aspiring...

IMDB: 7.72 Likes

  • Genre: Comedy | Musical
  • Quality: 720p
  • Size: 843.71M
  • Resolution: 1280*800 / 23.976 fpsfps
  • Language: English
  • Run Time: 103
  • IMDB Rating: 7.7/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 11

The Synopsis for Swing Time (1936) 720p

Lucky is tricked into missing his wedding to Margaret by the other members of Pop's magic and dance act, and has to make $25000 to be allowed to marry her. He and Pop go to New York where they run into Penny, a dancing instructor. She and Lucky form a successful dance partnership, but romance is blighted (till the end of the film at least!) by his old attachment to Margaret and hers for Ricardo, the band leader who won't play for them to dance together.


The Director and Players for Swing Time (1936) 720p

[Director]George Stevens
[Role:]Helen Broderick
[Role:]Victor Moore
[Role:]Ginger Rogers
[Role:]Fred Astaire


The Reviews for Swing Time (1936) 720p


Easy to see why it was Ginger's personal favorite...Reviewed byDoylenfVote: 8/10

SWING TIME just misses being the best of all the Astaire-Rogers musicals because of one factor--too much Victor Moore and too little Eric Blore. I tend to favor TOP HAT as their best collaboration because among the supporting players in that one was Edward Everett Horton and, of course, the Irving Berlin tunes were great.

This time, in SWING TIME, we're at least spared the mistaken identity theme which ran through so many Astaire-Rogers plots. It's a simple boy meets girl, boy loses girl, boy wins girl sort of thing without wearing the patience thin and sprinkling some nice Gershwin tunes throughout.

My own favorites are "A Fine Romance", staged among the snowflakes in a country setting, and "Never Gonna Dance" which is the most dramatic of the duo's dancing numbers and takes place in an art deco setting that is strikingly photographed in great B&W photography.

Ginger's eye make-up looks a little heavy but she's pretty as a picture as the dancing instructor Eric Blore almost fires. Fred Astaire not only acquits himself with finesse on the dance floor but in the acting department as well.

Victor Moore soon gets tiresome (in a way that Edward Everett Horton did not). The plot is paper thin and Betty Furness has next to nothing to do--but in this kind of film, all fans really wanted was to watch Astaire and Rogers glide across the dance floor in intricate style--and this they do.

Ginger Rogers was told that SWING TIME did even better business at Radio City Music Hall than TOP HAT--and has declared that among all her films with Astaire, this is her own personal favorite. It's easy to see why. Her big dance numbers with Astaire were filmed in one long, unbroken take--but since she complained of bleeding in her dance shoes you have to wonder how many takes it took to get the perfection seen here.

Happy-Go-LuckyReviewed bylugonianVote: 10/10

SWING TIME (RKO Radio, 1936), directed by George Stevens, marks the sixth screen teaming of Fred Astaire and Ginger Rogers, and if not their masterpiece, their best collaboration together. Aside from the predictable storyline that succeeds in presenting itself as an original screenplay, its their most lavish and stylish production, with the most memorable songs ever scored for a motion picture, compliments of Jerome Kern. Yet it's richness in sets and costumes makes one forget that this very expensive looking film was done at the height of the Great Depression.

The story begins with John "Lucky" Garnett (Fred Astaire), a professional dancer finishing up with his stage performance, and about to leave the theater and marry Margaret Watson (Betty Furness), his childhood sweetheart. Because his friend, "Pop" Cardetti (Victor Moore) feels his marriage would be a mistake, he succeeds into getting Lucky (whose biggest weakness is gambling) into a game of cards with his colleagues while others "arrange" to take time and have a tailor fix his pants by having cuffs put on them, while in reality his pants don't need cuffs. By the time he arrives at his wedding, the guests and preacher have long gone. Lucky persuades Margaret and her angry father (Landers Stevens), who disapproves of dancers, that if he can make $25,000 for his professional dancing, he can return to Margaret and claim her as his bride. The old man readily agrees to this idea and all is forgiven. Lucky and Pop train ride to New York City where while walking down the streets, a misunderstanding occurs between them and a young lady (Ginger Rogers) involving a lucky quarter belonging to Pop, in which a policeman (Edgar Dearing) enters the scene and sends the lady on her way. Trying to square himself, Lucky follows the girl, Penelope Carroll, to the dance studio where she works. He pretends to enroll in a class and has Penny as his teacher. Her employer, Mr. Gordon (Eric Blore), fires Penny for insulting her pupil, whom she finds annoying whom she finds annoying and incapable of learning how to dance, but Lucky squares things by demonstrating how much Penny has taught him in one easy lesson. Amazed by the accomplishment Gordon arranges for Penny and Lucky to dance professionally at the Silver Scandal Night Club. Along the way, Lucky gambles his way to success, by winning a game of cards to obtain an orchestra leader, Ricardo Romero (Georges Metaxa), who loves Penny and jealous of her dancing partner. As for Pop, he finds middle-aged companionship with Mabel Anderson (Helen Broderick), Penny's co-worker, best friend and roommate. Problems arise when Margaret returns to the scene and Ricardo insists on wanting to marry Penny.

SWING TIME's perfection mainly relies on the comic timing supplied by both its stars and character supporters, as well as the production numbers that surpass anything Astaire and Rogers have have done thus far. The score by Jerome Kern and Dorothy Fields include: "Pick Yourself Up" (sung by Fred Astaire and Ginger Rogers); "The Way You Look Tonight" (sung by Fred Astaire, later reprized by Georges Metaxa); "The Waltz in Swing Time" (instrumental dance by Astaire and Rogers); "A Fine Romance" (sung by Ginger Rogers and Fred Astaire); "Bojangles of Harlem" (sung by chorus/ performed by Astaire); "Never Gonna Dance" (sung by Astaire/ danced by Astaire and Rogers, along with "The Way You Look Tonight" and FINALETTE: Astaire and Rogers singing "A Fine Romance" and "The Way You Look Tonight." (Academy Award winner as Best Song of 1936). Of the musical highlights, "Bojangles of Harlem," Astaire's solo dance and his only black-face number, is an immediate classic that can be seen over and over again without any loss of interest. Reportedly a tribute to Bill "Bojangles" Robinson, Astaire manages to what would be offensive in today's society as both watchable and entertaining. Unlike the traditional black-face clichés, Astaire avoids the use of whiteness around the lips and presents himself in a complete tanned facial makeup, dressed in derby and spotted jacket. The scene where he dances in front of three shadows of himself on the wall has to be seen to really be appreciated. There's no doubt this was the best eight musical minutes ever recorded on film. Thank goodness due to political correctness that this number was never known to have been deleted from television prints. After seeing "Bojangles of Harlem," one would wonder how Astaire could ever top this? Well, he does, with "Never Gonna Dance," in he and Rogers dance on the glittering dance floor and finish it by dancing separately up a flight of two staircases. Great stuff.

SWING TIME brings back Helen Broderick, of TOP HAT (1935) fame, for the second and final time supporting Astaire and Rogers, once more delivering wisecracks in her deadpan manner, and her first of several opposite Victor Moore. As with each passing movie, Ginger Rogers has groomed, into an attractive young lady. By this time, her vocalization has matured, no longer the high-pitch girlish singer she once was in FLYING DOWN TO RIO (1933). Eric Blore, a regular in five Astaire and Rogers musicals, has less to do here than in his other collaboration with them. This time he sports a mustache, isn't playing either a waiter or butler.

SWING TIME, available on video cassette and DVD, and formerly presented on American Movie Classics, is shown regularly on Turner Classic Movies. To watch SWING TIME for the 50th time is like watching it for the first. Highly recommended, particularly during the late hours or during a cold, snowy afternoon, considering how snow does cover a lot of ground during the second half of the story. (****)

A Fine Romance!Reviewed byTBear6000Vote: 10/10

If you only watch one Fred Astaire & Ginger Rogers musical this should be the one. There has long been a debate over which film is their best: Swing Time or Top Hat. In my opinion, Swing Time definitely takes this honor, number two being Top Hat, followed by The Gay Divorcée. All of their films together are excellent, but Swing Time is set apart because it takes a much more realistic look at love and life. This film handles the love affair between Astaire and Rogers' characters in a way that none of the other films did. The romance is touching, sweet, charming - and believable!

The songs are amazing, including "Pick Yourself Up", "The Waltz In Swing Time", "A Fine Romance", "Never Gonna Dance", and "The Way You Look Tonight", which is the greatest love song ever written. The scene where Astaire sings this to Rogers is not to be missed. His reaction to her touch - in this scene, as well as in the "Fine Romance" scene - is priceless. Watch for another not-to-be-missed moment, also in the "Fine Romance" scene, as Rogers uses every feminine trick in the book to try to get Astaire to respond.

Although this goes without saying, the dancing in "Swing Time" is superb. I hardly know words that are sufficient to describe the beauty that is the bittersweet dance number "Never Gonna Dance". The emotion in this scene is phenomenal. It is absolutely exquisite. If Fred & Ginger had, indeed, never danced - before or after - to any other number, this alone would have made them famous. It is the most beautiful dance ever recorded in motion picture history. Every time I re-watch this film, I'm always caught off guard by the sheer beauty of this one scene. For this reason alone, "Swing Time" is definitely a "must see" film.

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